Over the course of nearly four centuries, the transatlantic slave trade resulted in 12.5 million Africans forcibly taken from their continent to the Americas. A devastating 1.8 million of those individuals perished during the Middle Passage, subjected to scarcely imaginable conditions of extreme confinement, filth, and illness. Some chose to end their suffering by throwing themselves overboard, whereas still more were forcibly cast into the sea.
In The Zorg, author Siddharth Kara weaves together two parallel narratives. The first details a horrific incident aboard the namesake slave ship—the deliberate murder of 132 captive individuals by its British crew. The second story explores how this event played a pivotal role in the abolition of the Atlantic slave trade in 1807, thanks largely by the dedicated work of a coalition of committed campaigners. Among them was Olaudah Equiano, who authored one of the rare first-person accounts of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
The account begins in Liverpool, a port city that at the height of its economic power was responsible for 40% of Europe's slave trade. Financing slavery was a lucrative venture for everyone from the elites to the common people. One such investor, William Gregson, accumulated his earnings from his trade, invested them into the slave trade, and rose to become a wealthy burgher and later mayor. Gregson financed the slave ship The William, which set sail from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was filled with commodities like tobacco, firearms, knives, and so-called “India goods” such as chintz and cowrie shells—the latter being a standard rate in the purchase of human beings.
Around the same time, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had left the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy granted British ships authority to capture Dutch ships at sea—a virtual sanctioning of piracy. The Zorg was subsequently captured by a British captain and held off the Gold Coast. Meanwhile, Captain Hanley, during one of his voyages, picked up a disgraced British governor named Robert Stubbs, who had been expelled for corruption.
When Hanley arrived at Cape Coast Castle—a stronghold with a vast holding cell beneath it—he assumed control of the captured Zorg. He proceeded to grossly overload it with enslaved people, put a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of questionable seamanship, its captain. In August 1781, the Zorg left Accra carrying 442 enslaved Africans, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.
Kara excels in using contemporaneous sources to vividly reconstruct the general hell of being trafficked on a slave ship.
The Zorg's journey was fraught with calamity. Dysentery ravaged the vessel, and then scurvy. The captain fell ill, became delirious, and appointed Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara effectively employs eyewitness accounts to illustrate of the sheer horror. The graphic testimony of Alexander Falconbridge, a doctor who became an activist, describes how the captives' skin was often rubbed raw to the bone from lying on bare wood, their flesh caught between the planks.
By late November 1781, the Zorg was still far from Jamaica and critically short on water. The crew made the decision to jettison a number of the captives, who had already suffered through months of obscene conditions below deck. This monstrous act was not motivated by ensuring survival—the Africans had begged to be spared, even without water rations—but by cold economic greed. Maritime insurance policies did not cover losses from disease, but they did cover cargo jettisoned out of “necessity” for the ship's safety. Over a period of days, the crew drowned “those Africans who would be worth less at auction”—the infirm, the sick, including women and children, even a baby born during the voyage.
Back in Liverpool, investor William Gregson was unhappy about the profit on his venture. He filed an insurance claim for £30 per lost slave—a considerable sum in today's money. The insurers declined to pay. In March 1783, Gregson sued and won a trial by jury, with his lawyers claiming that throwing the enslaved people overboard had been “necessary.”
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Just twelve days after the trial, an anonymous letter appeared in a widely read English newspaper. The author, who claimed to have been present the court proceedings, made a powerful case against slavery, using the Zorg case as a key illustration of its brutality. Olaudah Equiano read the letter and took it to the abolitionist Granville Sharp, who petitioned for a new trial. At the subsequent hearing, the events on the Zorg were reviewed in meticulous detail, precisely what the abolitionists had wanted.
In the spring of 1787, the founding members of the Society for Effecting the Abolition of the Slave Trade first met. Over the following years, they petitioned, made speeches, lobbied tirelessly, and meticulously documented the realities of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of setbacks, the Act for the Abolition of the Slave Trade was enacted in 1807.
The question of who or what deserves credit for abolition is contentious. The Zorg's influence, however, is powerfully evident in J.M.W. Turner's famous painting, The Slave Ship, which was based on the events of 1781. While slavery has been near-universal in human history, its abolition following a prolonged mass campaign was historic, serving as an affirmation to the power of persistent activism, the pen, and unwavering persistence.
Unlike his other work—such as the Pulitzer finalist Cobalt Red—Kara has had to fill in certain gaps in the available documentation. Consequently, speculative passages sit awkwardly next to rigorously researched accounts, giving the book a somewhat chimeric feel. Part thriller and part historical analysis, The Zorg nevertheless manages to illuminating one of history's darkest chapters, using compelling prose and documented fact to assemble a portrait that stays with the reader well after the final page.
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